Tasked to create a campaign inspired by the “average person” for the museum’s Humania exhibition, the Amsterdam-based agency has created a hilarious, horrific squad of humans with the help of animator Marlies van der Wel.

Divided into two parts, the first section of the magazine sees emphasis placed on the pictures, while the latter half turns the attention to the interviews, with a warping typeface and removable bookmarks placed within the heart of the magazine.

The agency worked with Picnic Studios and illustrator Ricardo Bessa to create a comic book and series of animations promoting series two, paying homage to its graphic novel roots and indulging the imaginations of its fans.

The Pakistan-raised and New York-based artist draws from an imaginary land that’s fuelled by the past; he combines an earthy colour palette, brushed layers and coarse textures with artful scenes of partying men, drinking and nakedness.

The Sagoskatt range of soft toys returns for its fifth year, directly inspired by the coloured-pencil creations of children across the globe, featuring Gurki the cucumber superhero and Rainbow Kid, who wears socks to keep warm in the sky.

Awarded for his film Love is the Message, The Message is Death, Jafa wins the 47th edition of the lofty Prix International d’Art Contemporain and its huge cash prize which includes funding to make new work.

The Somesuch director was granted unrivalled access to Janie and Stephen Schaffer, who acquired the brand in 2015 and led its comeback. The resulting documentary is a prolonged wry chuckle in the form of a feature film.

Recounting on the days of flash animation and a time when “the internet felt like a digital burning man”, the creative coder wants to see a new generation of people creating for the web out of pure creative desire.

The short animated campaign for the strike on 20 September was a collaboration with students and animators in the UK and Australia, which sees a female protagonist fighting a monster made of oil and coal.

The newly appointed curators in African, Middle Eastern and South Asian art will help the gallery to rethink the history of modern and contemporary art from an alternative, more inclusive vantage point.